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How to Be a Graphic Designer, Without Losing Your Soul

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And this is a book that i am glad i put the effort in and read the first page because by the end of every page i wanted to read the next one and for me that is the sign of a well written book. Graphic designers constantly complain that there is no career manual to guide them through the profession. It offers straight-talking advice on how to establish your design career and suggestions - that you won’t have been taught at college - for running a successful business.

To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. You can change your choices at any time by visiting Cookie preferences, as described in the Cookie notice. Written by a designer for designers, it combines practical advice with philosophical guidance to help young professionals embark on their careers.

I haven't given it a full 5 stars as it is a bit long winded in some of it's explanations of things. I picked up this book after a little bit of exhaustion with the thought of what I should expect in the future. Designers are quick to tell us about their sources of inspiration, but they are much less willing to reveal such critical matters as how to find work, how much they charge, and what to do when a client rejects three weeks of work and refuses to pay the bill. It’s reassuring to know that you’re not the first student to come out of University and not find a job straight away, and that this doesn’t make you a bad designer. Also included are interviews with leading designers: Jonathan Barnbrook, Sara De Bondt, Stephen Doyle, Ben Drury, Paul Sahre, Dmitri Siegel, Sophie Thomas and Magnus Voll Mathiassen.

It offers straight-talking advice on how to establish your design career and suggestions – that you wont have been taught at college – for running a successful business. All told, How to be a graphic designer covers just about every aspect of the profession, and stands as an indispensable guide for any young designer.It covered a lot of the less glamorous areas of becoming a designer: things like actually getting a job and dealing with difficult clients. I was a little bit aware of the unpleasant truths and tasks I need to work on as a graphic designer. Got this book as a belated birthday gift for my boyfriend who's just finished graphic design and apparently he really liked it. I found it as valuable as a graphic designer with ten years of experience as I did when I was just finishing my design education. I'm glad I continued because the rest was a gem, full of discussions and ideas that I've been thinking and talking about for years.

The advices were a bit common sense, but it still gives a good foundation for those who are new in the field. There are also loads of tips and advice from many different designers on different ways to approach briefs, finding work, self initiated work and dealing with clients, and I know I am going to keep coming back to this book as a reference tool time and time again. I’m still not entirely sure where I plan on heading once I’m done school, I think working for an existing studio would be pretty cool, but I don’t want to rule anything out just yet.

En mi opinión eso es algo bastante complejo de lograr ya que en el ámbito creativo todo avanza, emerge y pasa de moda MUY rápido. I read this book several years after completing my BFA in Graphic Design, I wish I would have read it my last year of school. Shaughnessy is a graphic designer by trade, but his insight into what it takes to become a business professional in the creative world is invaluable. Comenzando con el título, es un libro que llama mucho la atención y su contenido ayuda a cualquier diseñador independientemente de la experiencia o los años que tengas. I admit, I was a bit worried about the "without losing your soul" in the title of the book before starting, but Adrian Shaughnessy turned out not to be nearly as romantic as I expected; he even argues that self-initiated projects ("personal projects") usually are not a good way to promote oneself and get new clients – something that doesn't resonate well with the title, and something I don't agree with even though I don't believe in souls.

This book offers clear, concise guidance along with focused, no-nonsense strategies for setting up, running, and promoting a studio; finding work; and collaborating with clients for young professionals.

There is a lot of practical information, but it also gets into the thinking and philosophy that is the foundation for a successful design career. Can't say much more about it due to the fact that I haven't read it, however, listening to graphic designers perspective it is a good deal!

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