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Cupcakes, Pinterest, and Ladyporn: Feminized Popular Culture in the Early Twenty-First Century (Feminist Media Studies)

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If you do not have a society account or have forgotten your username or password, please contact your society. With essays on erotica, nail polish blogs and cupcakes, this collection is a fascinating analysis of American culture and how notions of gender, class, sexuality and race intersect. Levine directs our attention towards how feminized popular culture, particularly in the twenty-first century, is heavily focused on labor. You can change your choices at any time by visiting Cookie preferences, as described in the Cookie notice.

This study begins to tap into a vast landscape, where there is much still to explore in terms of spaces for women of color, women of different ages, and expanded to keep up with more social media platforms like Instagram and Snapchat.Fifty Shades of Postfeminism: Contextualizing Readers' Reflections on the Erotic Romance Series / Melissa A.

A striking case is made about the sitcom 2 Broke Girls which, perhaps unknowingly, uses [End Page 2] cupcakes as a symbol of restoring white middle-class femininity, as well as an escape from poverty and racial integration. or perhaps these traits are deemed disparaging because they are associated with an assumed femininity. On top of this, “whether by dismissive naming – chick flicks, mommy blogs, ladyporn – or by [the] general derision with which they are treated, feminized popular culture is often constructed as lightweight, frivolous, and excessively emotional” (Levine, p.By foregrounding the complexity of gender in a postfeminist culture increasingly opposed to gender-specific analysis, Levine reminds us that these projects of feminist media analysis are as important in the 21st century as they were during the early days of feminist studies.

However, these apps are designed with a presumed heteronormative context that isolates same-sex and single parents and places fathers in the backseat. Read all Winner of a SXSW Audience Award, LADYPORN follows the journey of two female students trying to produce a porno for women. In doing so, the chapter argues that while Devious Maids is a complex text that portrays Latina womanhood in some nuanced ways, the postfeminist and postracial sensibilities of the show discourage most audience members from engaging with the potentially transgressive aspects of the series. Passions” focuses on the connection between feminized interests and excessive emotion, especially in entertainment and media.

The final chapter on cupcakes, from Elizabeth Nathanson, is the highlight of the study, where the intricate layers of this unassuming item are unraveled. Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide.

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