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Posted 20 hours ago

Zoom H1n/UK Handy Recorder

£9.9£99Clearance
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ZTS2023
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This is slow and feels it. In comparison, the Tascam DR-05X only takes 4 seconds with the same card installed. Menu System The mic's are very nice also considering the price. I've had much worse for more money! Here you get two for the price of one! Both are condenser and capture the space at a remarkable depth, depending on the set input level.

You can also set the H1n to auto-record, pre-record, and self-time, making sure you always capture the moment. The 1.25-inch monochrome LCD display is bright and easily visible even in direct sunlight. The menus are easy to navigate, and any first-time user can get the hang of with a little bit of practice. Just above the LCD display is an analog input volume knob to control recording levels, which is an excellent feature—instead of using buttons to control volume, the knob is a nice silent way to adjust on the fly while recording is in progress. Proper directional boom microphones are expensive. So I’ve put my Rode VideoMic Pro on a boom, and connected it to a Zoom H1 clamped to the boom. Once again, you sync your video at the editing stage. To capture additional sounds Your Zoom doesn’t have to be connected to your camera. For interviews, or even for drama scenes, you can mount it on a mini-tripod closer to your presenter or actor, then sync the sound later. If you’re recording a complex scene, you could hide two or three Zooms in different positions to make sure you get all the sound you need. Instead of a wireless micWith the popularity around the H1n, there are plenty of good options available if you need a wind solution. It can be directly connected to a laptop or desktop computer and used as an external microphone. Battery Life: Carry extra batteries at all times The H1n can capture audio up to 24-bit/96kHz sample rate, producing BWF-compliant WAV or MP3 formats. Capturing that audio is the same X/Y microphone configuration found in the H1n’s predecessor. This configuration is able to capture truly immersive stereo sound perfect for a range of applications including live performances, field recordings, interviews, podcasts and more. Like its predecessor, the H1n can record a beautiful stereo image from its internal microphone. But unlike the H1, it’s genuinely usable outdoors. The booming wind noise that plagued the old model has disappeared. You do still need a furry windshield: the Redhead works well (though it partly obscures the screen and dial) or you could use Zoom’s own WSU-1.

The microphones are housed in a large plastic enclosure that resembles a basket, leaving the microphones exposed for unimpeded recording. It also has a 1/8-inch mic/input port, which means you can connect it to a lapel mic for interviews or a phantom powered shotgun microphone. There are a few different ways you can record with the Zoom H1n. Either directly to the SD card, or it can be used as a standard audio interface to record audio into a DAW. No matter which way, you’ll first want to set the levels. The slim design is just big enough to house some simple controls that the user can work to easily navigate settings along the lit display. The two microphones are well shielded from any bumps with the molded-in guard, and a threaded mount to attach it to a microphone stand is thankfully built in. It’s powered by 2 AAA batteries, which should last about 10 hours during normal use. I want to push the H1n to its limits by recording nature sounds. Natural sounds tend to be quiet and if you try to get close, they run away. I want to hear what a quiet ambience sounds like on the H1n with the gain cranked all the way up. While I was able to capture several recordings without any wind protection, I did explore some areas where protection from the wind was a must.

Support Acoustic Nature

As previously mentioned, making adjustments to this filter is super simple. Simply press the “LOCUT” button to cycle through the different settings while in either standby or recording mode. Headphone Volume

It replaces the Zoom H1. That was popular with ultra low budget filmmakers because it was small and extremely affordable, though it had some frustrating limitations. How does the new device compare? Why’s it useful?Recording on the H1n took some getting used to. I am accustomed to pressing record once to enter standby recording mode, and pressing record again to actually start recording. The H1n is always in standby recording mode. An advanced onboard limiter offers distortion-free signal up to 120 dB SPL, cleanly recording the loudest of bands. A low-cut filter also helps eliminate pops and unwanted low frequency rumble. I was really surprised when I couldn’t find a “settings” button. Then, I realized that the menu is built into the display and is shown at all times. What about using the 2 Fifine microphones? With a splitter? Will they be better than just the Sony560? I thought you had said the ME33 was the best? Thank you. The function of this feature is perfect. Its rotation is very smooth and has just the right amount of resistance. Precise, slow changes are easy to make. Low-cut Filter

I used it for record almost every non-digital sounds. I have it for more than 6 months and I have no problems with its workflow. It has a very easy to learn and use interface. Well, pro's are absolutely the price and quality factors. You have some other options in this price range but it's one step ahead from in the segment that it belongs. In this point of view it's a god starting point for collecting audio samples and recording interviews etc. In the other hand if you want to record a direct signal for instance coming from a mixer or sound card, you do not have a line inputs. This may be a problem if you want to record a live session or a concert. For this I suggest you to buy H4 or higher versions, you can use them for both recording with build-in microphones and direct signal that comes from line-ins. As with the H1, the microphone configuration is X-Y (a crossed pair) which provides a good stereo image. The microphone capsules themselves look similar but they’re better protected. Like the old model, the H1n can record MP3 or WAV with a maximum quality of 96KHz 24 bit. I’ve found the best gain settings on the Zoom H1n to be between 6-7 without the limiter set to ON. That gives me a lower noise floor and I’m unlikely to encounter clipping. But it is disappointing that I cannot take advantage of the lower noise floor on the H1n at higher gains levels and also use the limiter.

Tests

I think the original was really meant for musicians, which is why it doesn’t work well outdoors. Now Zoom have redesigned it and added some specific filmmaking features. The quality od the recording is reasonably good with options of 16 bit and 24 bit recording in 48 (16 bit addiotional 44.1 khz) and 96 khz as well as mp3 recording (up to 320 kbps). There is some marginal noise present but at the price range i think it's purely negligible. An advanced onboard Limiter offers distortion-free signal up to 120 dB SPL, cleanly recording the loudest of bands.

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